Benchmark Assessment Essay Example for Free

Benchmark Assessment Essay Micah, an eleventh grader with a learning disability in written expression and reading comprehension, is pending placement into a special education classroom. He is involved in extracurricular activities and does not want to stand apart from his friends and peers in regards to accommodations being made for his instruction time. Following is a look into the different placement options and why or why not Micah would benefit from it, technology and related services that he would need to help him progress in his areas of need, collaboration models for each placement that will help Micah’s teachers provide appropriate instruction, and a description of the most appropriate placement option with two Council for Exceptional Children (CEC) Standards that align with the placement option. Inclusion Inclusion, simply put, means that all students interact and belong (National Inclusion Project, 2015). This type of placement is not getting the special needs student prepared for the general education class, rather it is getting the general education class ready for the special needs student (Tomko, 1996). This placement option would benefit Micah in that he would be in the same classes as his peers and friends. The inclusion environment is one of the least restrictive environments for Micah. However, Micah would not be able to focus solely on his learning disabilities in the inclusion setting, which makes this setting not the most appropriate placement option for him. Related Services Related services are provided to those with exceptionalities to help in their learning experiences and to enhance their abilities. In the inclusion classroom, Micah would benefit from guided notes. This type of note taking  technique provides students with a print-out of the lesson’s notes with certain words omitted for the students to fill in. Another related service for the inclusion setting is the availability of ‘test readers’. Micah would need this service based on his disability in reading comprehension. However, having someone read him his tests may put him in a negative light in front of his peers. Technology Technology use in an inclusion setting is almost a necessity. For Micah, he may want to use a tape recorder to record lectures and any assignment directions for understanding and accuracy. Another form of technology that would be necessary for Micah would be a Smart Board or a Promethean Board. These two pieces of technology will help Micah to be more interactive in class, and they will allow his instructors to monitor his comprehension of the materials being taught. Collaboration Model If Micah were to be placed in the inclusion setting, his teachers would use the ‘team teaching’ approach of collaboration. The ‘team teaching’ approach is when both, the general education and the special education teacher, teach the same lesson at the same time (Special Education Resource Center, 2007). This collaboration model allows the special education instructor to focus on the students who need extra help while the general education teacher continues to teach. This is also known as the ‘tag team teaching’ collaboration model. Each educator uses their expertise in their specific field to engage classroom instruction. Resource The resource room in special education is a classroom in which students with specific learning disabilities receive more direct and specialized instructions in smaller groups (US Legal Inc., 2015). If Micah were to be placed in the resource room, he would be able to receive extra help with his written expression and reading comprehension. This placement option would work for Micah in that it would only be one class period so that he could keep his disability from his peers and friends, as well as maintain or enhance his learning in his other classes. Related Services During his time in the resource room, Micah would have access to a number of  related services. One of these services would be access to counseling. Micah is very social but he has concerns about standing out from his peers and friends because of his disabilities. A counselor will be able to help build up his self-esteem so that he will not have to be ashamed of his learning issues. Another related service that Micah can receive is a tutor to help him with his written expression and reading comprehension. Technology Technology in the resource room is abundant. Computers with appropriate educational web sites and software are easily available. This is great for Micah because he can use the software and web sites to help build upon his written expression and reading comprehension. Also available in the resource room are copies of the textbooks for each of Micah’s classes. This allows Micah the extra time he may need to understand instructions for assignments and lectures handed to him in his core subjects. Finally, the resource room has a student dictionary. This dictionary will help Micah define words that he may not understand, thus building upon his reading comprehension and written expression skills. Collaboration Model The collaboration model that works best in the resource room is the Resource/ Consulting Teacher Program, or RCT. The RTC model is supported by the triadic model with many opportunities for teachers, students, and parents to interact (Dettmer, Knackendoffel, Thurston, 2013). With the RTC model, emphasis is placed on training students in the curriculum used within each mainstreamed student’s general education classroom (Dettmer, Thurston, Dyck, 2005). Also, the teachers’ expectations and reinforcements are identical for the resource room and the general education class setting (Dettmer, et al., 2005). This collaboration model is perfect for the resource room because it includes everyone involved in the student’s education. Self-Contained A self-contained classroom is the most restrictive placement option that Micah could end up with. However, since instruction is provided by one teacher for all subjects, this would not be an appropriate option for Micah. This placement would prevent Micah from interacting with his friends. The self-contained classroom is more for those students with severe physical,  mental, social, intellectual, and behavior disabilities. Since Micah participates in extracurricular activities, he does not have a severe disability that would require him to be placed in a self-contained classroom. Related Services Related services in the self-contained classroom include occupational, physical, and speech therapies. Micah appears to be an athletic student, and he may benefit from the physical and occupational therapies; however, these related services are not what he needs for his learning disabilities. Micah would be required to also partake in group therapy sessions. Even though Micah has a disability in written expression, the speech therapy will not suffice because he is a very social eleventh grader. Technology There is an abundant amount of technology available in a self-contained classroom just as in a resource setting. Some students with communication problems will use communication pads to be social. There will also be computers, iPads and tablets, and possibly audio players available to assist students with assignments, comprehension, and reading. Micah has a specific learning disability in which these devices may prove to be beneficial, but he would not be able to focus solely on his areas of need. These devices will help improve Micah’s reading comprehension, but they will decrease his abilities in his other core areas. Collaboration Model In the self-contained classroom, finding a collaboration model may be a little harder than all the other placement options. Since the self-contained classroom only has one teacher and usually all the same students throughout the school day, collaboration is usually limited between teacher, student, and parent. For this reason, the most appropriate collaboration model is the collaborative-dependent model. In this model, the consultee (parent and/or student) relies on the consultant (teacher) for help while both parties bring their specific background and skills to solve the specific problem(s) (National Counselor Examination, 2013). Micah and his parents/ caregiver would reach out to the teacher for suggestions on how they can improve his written expression and reading comprehension. Summary After reviewing all of the possible placement options for Micah, the most appropriate classroom setting will be the Resource Room. Micah has specific learning disabilities solely in written expression and reading comprehension. By placing him in the resource classroom, he will be able to concentrate on these two content areas; all the while participating in his extracurricular activities and remaining in his general education classes with his friends and other peers without a feeling of inferiority. The resource room will provide ample opportunities for Micah to focus on the areas with which he struggles by way of the available technology, more personal assistance from the instructor, and the availability of a student dictionary and counselor. Other reasons for this placement include the avoidance of student separation and labels, the teacher can be more consistent with concentration on the areas of need; and students can practice study skills, basic skills, keyboarding, and social and behavioral skills (Lucas, 2013). CEC Standards The placement option for Micah aligns with the Council for Exceptional Children’s (CEC) Standards four and eight. Standard four focuses on the instructional strategies of the teacher. This standard promotes positive learning outcomes in both general and special education classrooms; increases self-awareness, self-management, self-control, self-reliance, and self-esteem; and it enhances the learning of critical thinking, problem solving, and performance skills (CEC, 2004). With the daily use of technology in the resource setting, standard eight is being utilized and implemented. This standard’s emphasis is assessment. Regular monitoring of the student’s progress of learning needs in both the general and special education curriculum can be easily done in the resource environment. In addition to progress being monitored regularly, the resource instructor will be able to adjust instruction based on the assessment results (CEC, 2004). References Council for Exceptional Children (2004). Beginning Special Educator Standards. The Council for Exceptional Children: Definition of a Well-Prepared Special Education Teacher. Arlington, VA: Council for Exceptional Children Dettmer, P., Knackendoffel, A., Thurston, L.P. (2013). Collaboration, Consultation, and Teamwork for Students with Special Needs, Seventh Edition. Boston, MA: Pearson Dettmer, P., Thurston, L.P., Dyck, N.J. (2005). Consultation, Collaboration, and Teamwork for Students with Special Needs, Fifth Edition. Pearson/ Allyn and Bacon Lucas, M. (2013). The Benefits of the Resource Room Model. Retrieved February 11, 2015 from www.prezi.com/ae7v10oo2nzb/the-benefits-of-the-resource-room-model/ National Counselor Examination (2013). Consultation Models. Retrieved February 11, 2015 from www.hgst.edu/wp-content/uploads/2013/06/Consultation-models-NCE.pptx National Inclusion Project (2015). What is Inclusion? Retrieved February 9, 2015 from www.inclusionproject.org/lets-all-play/what-is-inclusion/ SERC (2007). Teaching Learning Initiative. Six Approaches to Co-Teaching. Retrieved February 10, 2015 from www.ctserc.org/initiatives/teachandlearn/coteach.shtml Tomko, C.F. (1996). What is Inclusion? Retrieved February 9, 2015 from www.kidstogeth er.org/inclusion.htm US Legal, Inc. (2015). Resource Room (Education) Law Legal Definition. Retrieved February 10, 2015 from www.definitions.uslegal.com/r/resource-room-education/

The Occupational Safety and Health Act Essay -- Workforce Safety Regul

The Occupational Safety and Health Act Just imagine working in an environment where there are very few safety regulations, and little safety equipment. Think of how it was for employees of a steel manufacturing plant to work where there are almost no safety regulations and safety hazards all around you. This is how the work environment was before 1970; there were only few laws or regulations that required employers to maintain certain safety standards or working conditions for employees. However in 1970 President Richard Nixon sought to change all of this by signing into law the Occupational Safety and Health Act (OSHA). The Occupational Safety and Health Act’s mission is to assure the safety and health of America's workers by setting and enforcing standards; providing training, and education; and encouraging continual improvement in workplace safety and health (OSHA.org). OSHA covers an extremely wide array of workers, from construction workers to office workers. However when the act was first passed it was not heavily enforced and lacked inspectors. In 1970 because there were three times as many fish and game wardens than there were OSHA inspectors, people said that the trout and quail were more protected than Americas working men and women (Bennett, Alexander, & Hartman, 2003). Though today OSHA has approximately 2100 inspectors, plus complaint discrimination investigators, engineers, physicians, educators, standards writers, and other technical and support pers...

Environmental Analysis Paper Essay

Hospitality is one of those lines of business paths that are widespread. In Australia, Brisbane hotel provides a broad assortment of properties-budget, trade, tourist, lavishness, bed and breakfasts and apartments lodging. Moreover, Holiday City Brisbane hotels offer comfort, excellence and enormous worth for the money, perfect for leisure time and commerce travelers. This paper seeks to examine the environmental analysis of Brisbane hotel in Australia. (Higham, 2005, p. 98) 1. Industry Analysis On the foundation analysis unaccompanied, Brisbane market appears to be a suitable market for an augment in lodging supply. On the other hand there are a number of other considerations such as access to capital, augmented building and labour outlay. (Addis, 2006, p. 103) Brisbane is situated on the eastern coast; it is the capital of Queensland-Australia’s head of state tourist area. It is Australia’ best ever growing city region in South East Queensland and occupies 1,140 square kilometers. (King, 1997, p. 88) For a property shareholder, a significant indicator of hotel viability will be value versus building cost. Hotel values have not kept rate with the enlargement in building costs. See more: how to write an analysis of a research paper Hotel values sky rocketed in 1997 before moribund to a cyclical low of $161K per room in 2001. Building costs on the other hand have augmented each year, moribund only marginally in 2001 in reaction to the worldwide financial downturn. (Garling, 1991, p. 100) The low point of hotel values were 62 per cent of building costs and even as they have augmented by around 10 per cent per annum over the last five years double the rate of building costs, the expansion gap is still 20 per cent at present. This gap will differ across the cities of Australia. (Kohen, 1995, p. 90) The porter’s five forces model is a straightforward tool that supports premeditated understanding where authority lies in an industry situation. It also helps to comprehend both the strength of Brisbane existing cutthroat position, and the potency of a position Brisbane is in search to move into. Regardless of the fact that the five force structure focuses on commerce concerns rather than community policy, it also emphasizes comprehensive rivalry for value to a certain extent than just competition amongst existing rivals. (Freeland, 1968, p. 115) The innovative cutthroat forces model as projected by Porter acknowledged five forces which would impact on an organization’s performance in a cutthroat market. These include the following: (Swaffer, 2002, p. 102) i) The Degree of Rivalry The degree of rivalry, which is the most noticeable of the five forces in the hotel industry, helps decide the extent to which the value fashioned by a business will be dissolute through head to head contest. (Cunill, 2006, p. 78) Perth has overtaken Brisbane as Australia’s number one hotel bazaar after having strengthened its bazaar leader position all through each quarter during 2007 to record the uppermost Revenue Per Available Room (RevPAR) expansion, highest ADR expansion and uppermost tenancy result (82. 5%) for the full year. (Richards, 2006, p. 120) Hotel section analysis in the three main markets of Sydney, Melbourne and Brisbane reveal that 5-star hotels are driving the sturdy bazaar performance. All the three cities recorded twofold figure RevPAR expansion during 2007 which is higher than the lower-tier segments. (Jamieson, 2006, p. 115) ii) The Threat of Entry Both the prospective and obtainable competitors influence standard business productivity. The threat of new entrants is frequently based on the bazaar entry barriers. They can take varied forms and are used to avert an influx of firms into a business at any time profits attuned for the cost of capital goes up above zero. (Higham, 2005, p. 104) The most widespread forms of entry barriers include: economies of scale, cost of entrance such as investment into expertise; distribution channels such as ease of admission for competitors; cost compensation not connected to the size of the corporation and government legislation. (Swaffer, 2002, p. 105) In a cutthroat market, all firms fabricate a standardized product. This means the goods presented by a variety of sellers are mainly identical. Since competition is based exclusively on the price, and the merchandise is homogenous, it then follows that buyers will buy from whoever’s product is cheapest, and this is also applicable in the hotel industry in the sense that tourist will choose to check inn to a hotel which they are comfortable with the price; therefore each producers is requisite to take up the least-cost method of fabrication and all surplus profits and losses will in the long run be abolished by entrance to, or exit from the business. (Addis, 2006, p. 108) Australia is in threat of becoming a lattice exporter of tourists in 2008 as strong expansion in outbound travel outpaces inbound tourist arrivals. The recently released Australian Bureau of Statistics (ABS) Overseas Arrivals and Departures data reveals that arrivals have exposed some revival in the primary two months of 2008 (up 1. 7%), outbound travel has augmented by a staggering 14. 5%. (King, 1997, p. 94) The major competitor of Brisbane hotel is Sydney. However this was in the past. Sydney attracts a broad range of commerce events, and these proceedings tend to be larger than regular. Whereas the National Business Events Study (NBES) establish that New South Wales hosted 27 percent of the entire meetings in Australia in 2003, this represented 40 percent of the entire delegates. In terms of standard occasion size, Sydney hosted the biggest proceedings (roughly 162 delegates per event), followed by the Gold Coast (102), Melbourne (96), Adelaide (92), the ACT (89) and Perth (80). (Jamieson, 2006, p. 123) Nevertheless, this position is being windswept as other States are attracting an escalating percentage of intercontinental trade proceedings delegates. Queensland is to some extent differently positioned. Because of its chief coastal resort cities, it has key conference amenities at Cairns and the Gold Coast, as well as Brisbane. When these three locations are taken jointly, it reveals that in the mid-nineties they jointly held only about half as numerous meetings as Sydney. Ever since, their position has augmented considerably and in the epoch 2003-2005 they held about as several meetings as did Sydney. (Swaffer, 2002, p. 110) iii) The Threat of Substitutes A threat from substitutes exists if there are substitute products with inferior prices of improved performance parameters for the equivalent function. They could potentially draw a momentous proportion of bazaar volume and for this reason reduce the possible sales volume for existing troupe. This category also relates to balancing products. The threat of substitution is also influenced by switching costs such as retraining, retooling and redesigning that are incurred when a consumer switches to a dissimilar kind of product or service. (Higham, 2005, p. 111) Brisbane hotel faces the barricade of cost of setting up such as renting or owning building and licensing faced by new-fangled entrant. Even though firms in a monopolistically cutthroat market do face a low barrier to entry, the firms vend differentiated products, therefore causing new-fangled firms harder to be recognized. For example; Pier Nine Oyster Bar and Seafood Gril in Brisbane is a well-liked seafood restaurant. It then follows that a new seafood restaurant may have intricacy attracting clientele because of Pier’s recognized reputation. (Addis, 2006, p. 114) iv) Buyer Power Buyer power is one of the two level forces that control the misappropriation of the value fashioned by Brisbane hotel industry. The most imperative determinants of buyer power are the size and the attention of clientele. Other factors are the degree to which the buyers are well-versed and the attention of the competitors. (Jamieson, 2006, p. 130) Brisbane hotels come in all the shapes and sizes one would expect from Australia’s third biggest city-the enormous names like Hilton, Marriott and Sheraton are all there, all along with loads of self-governing establishments which vary from extremely quirky to absolute dirty. Similar to any bed where you relax your head, you acquire what you disburse for. Moreover, at the cheaper end of the range, a flawlessly contented room in an essential visitor hotel in the heart of the city like the Nomads will place you back about $80 a night at reserve rates, whereas a two bedroom suite in the historical 5 star Conrad Treasury Casino will cost you roughly $220 if you are looking less than two weeks ahead-which is fairly of high-quality for a five star hotel. (King, 1997, p. 101) v) Supplier Power This is a reflect icon of the buyer power. As an end result, the examination of supplier power characteristically focuses primary on the relative size and attention of suppliers comparative to commerce involvement in the inputs supplied. (Garling, 1991, p. 107) The aptitude to charge clientele different prices in line with differenced in the value fashioned for each of those buyers more often than not indicates that the bazaar is characterized by high dealer power and at the same occasion by low buyer power. (Kohen, 1995, p. 97) Brisbane hotel is an outstanding example to other main hotel markets in the steady preamble of new supply, as opposed to gesticulate of new-fangled hotel developments flooding the bazaar once the market conditions become encouraging. A slow but stable flow of new stockpile goes a long way towards sustainably increasing the market without causing occupancies and revenues to fall. (Cunill, 2006, p. 91) 2. External Stakeholders and Broad Environment External stakeholders These encompass real land agents, state visitor offices, developers, financiers, body business service providers, hotels with a strata title attention and administration human rights brokers. (Swaffer, 2002, p. 118) The assortment of community schemes is echoed in the range of lawmaking schemes that subsist across Australia. One of the basic differences across jurisdictions is the terms and lawful jargon used to explain key features in Brisbane hotel. This difficulty poses realistic problems for stakeholders in general and for practitioners who are required to function athwart state boundaries. (King, 1997, p. 117) Broad Environment This consists of four significant factors such as current social forces, global economic forces, global political forces and technological innovations. (Garling, 1991, p. 114) i) Current social forces Given that travel was a requirement for numerous workers at the turn of the century, it then follows that homosexuality action in countryside contexts and urban public spaces was inextricably associated. The features of superior population areas, clear in Brisbane hotel and larger local areas were also noticeable in lesser urban settlements. (Higham, 2005, p. 116) ii) Global economic forces Australia’s four principal city lodging markets enjoyed a record year of tenancy levels in 2007, with the outlook for 2008 being evenly as optimistic in spite of far from ideal national and worldwide market circumstances. (Kohen, 1995, p. 101) Australia Bureau of statistics (ABS) data released for the full year 2007 shows that for the initial time the internal city hotel bazaar of Brisbane has achieved tenancy levels over 80% averaged all through the year. This performance underscores Australia’s confrontation to the universal monetary slowdown as trade travel remains burly. High occupancies are also a side-effect of the capital boom, which is supporting Brisbane hotel markets as local centres for these resource-based state economies. (Addis, 2006, p. 122) With continuous expansion in accommodation demand, thanks to affluent economic environment and sturdy market essentials, Australia’s chief city markets of Brisbane will see occupancies linger high and proceeds increase. (Garling, 1991, p. 119) The majority multicultural cities are Melbourne and Sydney. Both cities are well-known for the diversity and quality of universal foods available in their many restaurants, and Melbourne particularly promoted itself as a hub for the arts therefore posing a threat for Brisbane hotel in Australia. (Jamieson, 2006, p. 134) iii) Technological innovations True commerce innovation does take place through a variety of mechanisms such as commerce strategy, organization practices, procedure alteration, and assets investment in new-fangled plant and equipment. To be familiar with this, the Australian Bureau of Statistics (ABS) by now has events of technological innovation. (Cunill, 2006, p. 103) iv) Global political forces The worldwide hotel business recorded optimistic growth in standard daily rate and proceeds per obtainable room for the month of July 2008; this is according to the statistics from Smith Travel Research (STR). Moreover, fashion hotels are an element of a speedy development in the market for lavishness recognized customer products. This was incorporated prior to the political situation that arose in Australia. (Higham, 2005, p. 121) 3. Factors that Influence the Sector’s demand and cost structures i) Technological innovation This has debatably been the leading factor in determining fiscal services of Brisbane hotel in the past two decades. Systems for dealing out, communicating and sturdy information are an indispensable element of the infrastructure sustaining fiscal activities. (Kohen, 1995, p. 112) Technology has connected markets around the globe and opened cross-border delivery of both wholesale and retail fiscal products. This has created a competitive advantage to Brisbane hotel in Australia. (Freeland, 1968, p. 119) ii) International Integration This has resulted prior to technological advances and as a result there has been a rising tendency towards international integration amongst financial markets. In numerous areas of the Australian bazaar, predominantly those connected with across-the-board funding, international markets have replaced home markets as the main source of finance. A result of globalization is that competition between fiscal service providers occurs internationally to a certain extent than at the state or local level. Globalization has spawned a production of institutional shareholders who control huge portfolios and have particular loyalty to products and state marketplace thus boosting Brisbane hotel financial status. (Swaffer, 2002, p. 125) iii) Changing customer needs Markets developments have also been fashioned by changing customer needs. In Australia, the most clear of these has been the enlargement of enforced superannuation and the accompanying enlargement in the finance administration business. This has resulted to Brisbane hotel modifying their products and services so as to satisfy the customer since the customer is the king. (Freeland, 1968, p. 121) iv) New Entrants These factors have encouraged new-fangled entrants and innovative ways of doing business. For instance, unlike a decade ago, hotels and construction societies are at present extremely aware of the competition that they face from securitizes. This has made Brisbane hotel and other industries formulate strategies of dealing with new entrants. (King, 1997, p. 126) 4. Strategic Issues facing Organizations in hotel sector i) Location Brisbane is a low-lying terrain mass positioned in a floodplain. Nevertheless, this has worked to the benefit of the hotel. Brisbane is located along the Brisbane River and is neighboring to the Great Dividing Range and the Moreton Bay. This has generated a lot of income since it serves as a tourist attraction base. (Garling, 1991, p. 122) ii) Climate Geologically, Brisbane hotel is situated contentedly in the State’s Southeast corner, at the oceanfront of the Pacific Ocean to the east. Because of this, it then follows that many inhabitants and vacationers from Melbourne and Sydney come over and expend winter in Brisbane thus boosting the hotel’s revenue. (Higham, 2005, p. 128) iii) Events and Festivals Several events and festivals have also boost up tourism in Brisbane hotel. For instance; Brisbane River Festival is usually held in the middle of September every year. In addition to this, Brisbane is becoming a well-liked sports destination in all of Australia and not just in Queensland. It has previously hosted the Commonwealth Games and Rugby World Cup and still hosted a number of events for the 2000 Sydney Olympic Games. This has generated a lot of income for the Brisbane hotel. Moreover, Brisbane is proposing to support and hold the 2024 Olympics. This will generate the country lots and lots of revenue. (Jamieson, 2006, p. 136) Conclusion The event trade in Australia continues to thrive and events are more and more viewed as vehicles for the facilitation of local growth. Regions may be fashioned for various reasons, counting economic purposes, and debatably such economic purpose will decide the most suitable set of local restrictions, the types of local organizations that will be established and the kinds of local policies and programs that will be implemented. Moreover, technological innovation, international integration, changing customer needs and new entrants have contributed towards the hotel formulating strategies in order to satisfy their customers and as a result Brisbane hotel has maintained a competitive edge thus earning profitable foreign exchange from the tourists.

Case Ethics And Personal Ethics - 1387 Words

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Public administration often suffers from an image problem. Society has constructed a caricature of stuffy bureaucrats who are only concerned with restrictive and complicated procedures just waiting to obstruct efficient government, however, this caricature couldn’t be further removed from the reality of the work of public administration and administrators. While public administration has it’s roots in the early twentieth century as a rather droll academic pursuit it has evolved through the decades to meet modern needs. It must be emphasized that the profession of public administration does not have a clear and simple definition, but in short, covers a wide breadth of services. These services primarily concern the management of government†¦show more content†¦There are four core skills that are the foundation of the profession and these skills are: leadership, management, and the political and technical aspects of administration. One could consider these core skills to be the foundation of public administration and the four major functions of organization, personnel administration, decision making, and budget and finance to be the building blocks. It should be noted that having a deep understanding of these skills in relation to the major functions of the profession is essential to the success of any public administrator . The principles that govern public administration often have a level of reciprocity and build upon each other. One such principle is organization theory. At it’s most basic, the principle of organization theory is about structure and process, which are two things all administrators must become comfortable with. It answers the questions of how departments should be structured, how they report and how positions and jobs relate to each other, and what other factors should be considered. To answer those questions different schools of thought have developed as the study of public administration expanded and deepened. These schools of thought include classical management theory which attempts to identify how jobs and organizations can be structured to be more efficient, or the behavioral school of management which

Televisions Responsibility in Violent Children Essay

With school shootings becoming a frequent occurrence in our country, we have to ask the question on whether or not the violence produced in children has been influenced by his or her surroundings. Could the violence seen in television shows lead the way to these actions? With these violent situations growing we have to start looking into this issue. TV programs should be held moderately responsible for the violent actions of children because they promote negative influences. When we think of violence, we automatically picture guns and knives being used to kill people. Although this is a part of violence, it’s not the only way a violent situation can arise. Violence can be any harm done to a person through physical contact. Along with†¦show more content†¦With these being two of the many factors playing a role, some will argue that television can’t be solely responsible. On TV we can flip through hundreds of channels and when we see something that is intriguing, we will stop and stare at the motions until we figure out what that is. As mentioned by Steven Johnson, â€Å"The morals of the stories have grown darker and more ambiguous† (279). With darker stories, there are frequently more violent actions. For young kids, when an action or horror scene comes within viewing point, they will stop and stare in awe of how cool these scenes are. Having violence trigger fascination in the mind is a slippery slope when it comes to children and adolescents because their brains are still developing. The process of growing up involves learning what is right with positive outcomes and what is wrong with negative outcomes. If we feed their minds with violence then that is what they will develop to know and in return, that is what will come out through their actions. Most adults know how to separate fantasy scenarios with real life situations through a filter, while younger kids have yet to develop this ability. This filter is crucial in knowing wha t is real life and what is fake. If a child has yet to understand how to separate the two, then he or she will be more likely to blur the lines of reality and fantasy and assume that what is on TV is how situations happen in day to day life. WithShow MoreRelatedThe Negative Effects of Television on Children in Society Essay1308 Words   |  6 Pagesone billion television sets have been sold in North America, and on average, children watch 28 hours per week. The effect of television creates negative development in children. Television is one of the biggest contributions to the growing amount of obese children in North America. The amount of glorified violence in today’s society can be attributed to children watching high rated television shows. Many young children are involved in promiscuous behaviour. This might be a result of what they hadRead More Violence on Television Essay1833 Words   |  8 Pagestownquot; (Cullingford, 61). A recent report from the National Institute of Mental Health (NIMH) pools evidence from over 2,500 studies within the last decade on over 100,000 subjects from several nations to show that the compiled evidence of televisions influence on behavior is so quot;overwhelmingquot; that there is a consensus in the research community that quot;violence on television does lead to aggressive behaviorquot; (Methvin, 49). Given that the majority of scientific communityRead MoreThe National Association of Radio and Television1480 Words   |  6 Pageseffective March 1, 1952. Subscribers are entitled to display a seal of good practice signifying compliance with code standards. The code is printed in booklet form and includes a preamble, section on advancement of education and culture, community responsibility, treatment of news and public events, controversial public issues, political telecasts, religious programs, presentation of advertising. Several pages are devoted to regulations dealing with acceptability of program material, including such itemsRead MoreThe Responsibility of Parenting in Preventing Violence instead of the Media1775 Words   |  8 PagesThe Responsibility of Parenting in Preventing Violence instead of the Media In the past few years, media violence has increased on television, in turn bringing inevitable resistance from concerned parents. What they dont stop to think about is that maybe the media is not the only area to blame. Parents are to blame when children are subjected to violence in the media, because it is due to an undedicated parent, not a carelessRead MoreEssay on Media Violence in Childrens Lives2588 Words   |  11 Pagesincidence of violence in the lives of children. On a daily basis, children in America are victims of violence, as witnesses to violent acts in their homes or communities, or as victims of abuse, neglect, or personal assault. The causes of violent behavior in society are complex and interrelated. Among the significant contributors are poverty, racism, unemployment, illegal drugs, inadequate or abusive parenting practices, and real-life adult models of violent problem-solving behavior. AtRead More Televisions Impact on Society Essay examples1813 Words   |  8 PagesTelevisions Impact on Society Although television is perceived as one of the greatest scientific inventions of the 20th century and is watched enormously by the American public, it is often criticized as the root of intellectual destruction for children.   Television has been praised throughout history for its ability to transmit visual images with accompanying sound to entertain, educate, and to provide a sense of truth.   Through the miracle of television the public has witnessedRead MoreMethods of Curbing Childhood Aggression Due To Violent Television Programming 2099 Words   |  9 Pagesprogramming constitute an informal curriculum taught at home to all children, beginning at an early age, with the following themes: Consumption, sex, violence and anti-intellectualism. Children only spend five or six hours a day, five days a week, maybe 30 weeks a year in school. In the average home, however, TV is on six or seven hours a day, seven days a week, 52 weeks a year. As the first arm of organized society that children meet, it has the effect of sanctioning or socially certifying Read MoreVideo Games: A Contemporary Scapegoat2374 Words   |  10 PagesFinish him! This is Mortal Kombat – one of, if not the, most popular fighting game franchises ever created. At its conception in 1992, it was hit with a hard wall of controversy for its heavy use of gore and the general fear it would influence children to reenact these so-called â€Å"fatalities† in real life. Ever since the 1970s, man was finally able to interact with the screen, creating a universe written in ones and zeros. However, does the screen speak back to us, and cause effects outside of theRead MoreBusiness Government4117 Words   |  17 Pagesor ATV) is also used for experimentation, pleasure and public service events by amateur radio operators. Ham TV stations were on the air in many cities before commercial TV stations came on the air. Many inventors played a vital part in the television’s history to arrive to the caliber of televisions that we know today and in its early stages of development, television employed a combination of optical, mechanical and electronic technologies to capture, transmit and display a visual image. ByRead MoreThesis: Violence and Mass Communication7788 Words   |  32 Pagesthe psychological development of the children and adolescents, causing them to acquire a more distinct and aggressive behavior towards other people. OBJECTIVE In this research, the group aims to provide sufficient information to educate people about the harms of exposure to media violence to the psychological development of an individual. This would only be possible if people would really understand how important it is to guide their children properly. Furthermore, the researchers

Black House Chapter Fourteen Free Essays

14 AT THE TOP of the steep hill between Norway Valley and Arden, the zigzag, hairpin turns of Highway 93, now narrowed to two lanes, straighten out for the long, ski-slope descent into the town, and on the eastern side of the highway, the hilltop widens into a grassy plateau. Two weatherbeaten red picnic tables wait for those who choose to stop for a few minutes and appreciate the spectacular view. A patchwork of quilted farms stretches out over fifteen miles of gentle landscape, not quite flat, threaded with streams and country roads. We will write a custom essay sample on Black House Chapter Fourteen or any similar topic only for you Order Now A solid row of bumpy, blue-green hills form the horizon. In the immense sky, sun-washed white clouds hang like fresh laundry. Fred Marshall steers his Ford Explorer onto the gravel shoulder, comes to a halt, and says, â€Å"Let me show you something.† When he climbed into the Explorer at his farmhouse, Jack was carrying a slightly worn black leather briefcase, and the case is now lying flat across his knees. Jack’s father’s initials, P.S.S., for Philip Stevenson Sawyer, are stamped in gold beside the handle at the top of the case. Fred has glanced curiously at the briefcase a couple of times, but has not asked about it, and Jack has volunteered nothing. There will be time for show-and-tell, Jack thinks, after he talks to Judy Marshall. Fred gets out of the car, and Jack slides his father’s old briefcase behind his legs and props it against the seat before he follows the other man across the pliant grass. When they reach the first of the picnic tables, Fred gestures toward the landscape. â€Å"We don’t have a lot of what you could call tourist attractions around here, but this is pretty good, isn’t it?† â€Å"It’s very beautiful,† Jack says. â€Å"But I think everything here is beautiful.† â€Å"Judy really likes this view. Whenever we go over to Arden on a decent day, she has to stop here and get out of the car, relax and look around for a while. You know, sort of store up on the important things before getting back into the grind. Me, sometimes I get impatient and think, Come on, you’ve seen that view a thousand times, I have to get back to work, but I’m a guy, right? So every time we turn in here and sit down for a few minutes, I realize my wife knows more than I do and I should just listen to what she says.† Jack smiles and sits down at the bench, waiting for the rest of it. Since picking him up, Fred Marshall has spoken only two or three sentences of gratitude, but it is clear that he has chosen this place to get something off his chest. â€Å"I went over to the hospital this morning, and she well, she’s different. To look at her, to talk to her, you’d have to say she’s in much better shape than yesterday. Even though she’s still worried sick about Tyler, it’s different. Do you think that could be due to the medication? I don’t even know what they’re giving her.† â€Å"Can you have a normal conversation with her?† â€Å"From time to time, yeah. For instance, this morning she was telling me about a story in yesterday’s paper on a little girl from La Riviere who nearly took third place in the statewide spelling bee, except she couldn’t spell this crazy word nobody ever heard of. Popoplax, or something like that.† â€Å"Opopanax,† Jack says. He sounds like he has a fishbone caught in his throat. â€Å"You saw that story, too? That’s interesting, you both picking up on that word. Kind of gave her a kick. She asked the nurses to find out what it meant, and one of them looked it up in a couple of dictionaries. Couldn’t find it.† Jack had found the word in his Concise Oxford Dictionary; its literal meaning was unimportant. â€Å"That’s probably the definition of opopanax,† Jack says. † ‘1. A word not to be found in the dictionary. 2. A fearful mystery.’ â€Å" â€Å"Hah!† Fred Marshall has been moving nervously around the lookout area, and now he stations himself beside Jack, whose upward glance finds the other man surveying the long panorama. â€Å"Maybe that is what it means.† Fred’s eyes remain fixed on the landscape. He is still not quite ready, but he is making progress. â€Å"It was great to see her interested in something like that, a tiny little item in the Herald . . .† He wipes tears from his eyes and takes a step toward the horizon. When he turns around, he looks directly at Jack. â€Å"Uh, before you meet Judy, I want to tell you a few things about her. Trouble is, I don’t know how this is going to sound to you. Even to me, it sounds . . . I don’t know.† â€Å"Give it a try,† Jack says. Fred says, â€Å"Okay,† knits his fingers together, and bows his head. Then he looks up again, and his eyes are as vulnerable as a baby’s. â€Å"Ahhh . . . I don’t know how to put this. Okay, I’ll just say it. With part of my brain, I think Judy knows something. Anyhow, I want to think that. On the other hand, I don’t want to fool myself into believing that just because she seems to be better, she can’t be crazy anymore. But I do want to believe that. Boy oh boy, do I ever.† â€Å"Believe that she knows something.† The eerie feeling aroused by opopanax diminishes before this validation of his theory. â€Å"Something that isn’t even real clear to her,† Fred says. â€Å"But do you remember? She knew Ty was gone even before I told her.† He gives Jack an anguished look and steps away. He knocks his fists together and stares at the ground. Another internal barrier topples before his need to explain his dilemma. â€Å"Okay, look. This is what you have to understand about Judy. She’s a special person. All right, a lot of guys would say their wives are special, but Judy’s special in a special way. First of all, she’s sort of amazingly beautiful, but that’s not even what I’m talking about. And she’s tremendously brave, but that’s not it, either. It’s like she’s connected to something the rest of us can’t even begin to understand. But can that be real? How crazy is that? Maybe when you’re going crazy, at first you put up a big fight and get hysterical, and then you’re too crazy to fight anymore and you get all calm and accepting. I have to talk to her doctor, because this is tearing me apart.† â€Å"What kinds of things does she say? Does she explain why she’s so much calmer?† Fred Marshall’s eyes burn into Jack’s. â€Å"Well, for one thing, Judy seems to think that Ty is still alive, and that you’re the only person who can find him.† â€Å"All right,† Jack says, unwilling to say more until after he can speak to Judy. â€Å"Tell me, does Judy ever mention someone she used to know or a cousin of hers, or an old boyfriend she thinks might have taken him?† His theory seems less convincing than it had in Henry Leyden’s ultrarational, thoroughly bizarre kitchen; Fred Marshall’s response weakens it further. â€Å"Not unless he’s named the Crimson King, or Gorg, or Abbalah. All I can tell you is, Judy thinks she sees something, and even though it makes no sense, I sure as hell hope it’s there.† A sudden vision of the world where he found a boy’s Brewers cap pierces Jack Sawyer like a steel-tipped lance. â€Å"And that’s where Tyler is.† â€Å"If part of me didn’t think that might just possibly be true, I’d go out of my mind right here and now,† Fred says. â€Å"Unless I’m already out of my gourd.† â€Å"Let’s go talk to your wife,† Jack says. From the outside, French County Lutheran Hospital resembles a nineteenth-century madhouse in the north of England: dirty red-brick walls with blackened buttresses and lancet arches, a peaked roof with finial-capped pinnacles, swollen turrets, miserly windows, and all of the long facade stippled black with ancient filth. Set within a walled parkland dense with oaks on Arden’s western boundary, the enormous building, Gothic without the grandeur, looks punitive, devoid of mercy. Jack half-expects to hear the shrieking organ music from a Vincent Price movie. They pass through a narrow, peaked wooden door and enter a reassuringly familiar lobby. A bored, uniformed man at a central desk directs visitors to the elevators; stuffed animals and sprays of flowers fill the gift shop’s window; bathrobed patients tethered to I.V. poles occupy randomly placed tables with their families, and other patients perch on the chairs lined against the side walls; two white-coated doctors confer in a corner. Far overhead, two dusty, ornate chandeliers distribute a soft ocher light that momentarily seems to gild the luxurious heads of the lilies arrayed in tall vases beside the entrance of the gift shop. â€Å"Wow, it sure looks better on the inside,† Jack says. â€Å"Most of it does,† Fred says. They approach the man behind the desk, and Fred says, â€Å"Ward D.† With a mild flicker of interest, the man gives them two rectangular cards stamped VISITOR and waves them through. The elevator clanks down and admits them to a wood-paneled enclosure the size of a broom closet. Fred Marshall pushes the button marked 5, and the elevator shudders upward. The same soft, golden light pervades the comically tiny interior. Ten years ago, an elevator remarkably similar to this, though situated in a grand Paris hotel, had held Jack and a UCLA art-history graduate student named Iliana Tedesco captive for two and a half hours, in the course of which Ms. Tedesco announced that their relationship had reached its final destination, thank you, despite her gratitude for what had been at least until that moment a rewarding journey together. After thinking it over, Jack decides not to trouble Fred Marshall with this information. Better behaved than its French cousin, the elevator trembles to a stop and with only a slight display of resistance slides open its door and releases Jack Sawyer and Fred Marshall to the fifth floor, where the beautiful light seems a touch darker than in both the elevator and the lobby. â€Å"Unfortunately, it’s way over on the other side,† Fred tells Jack. An apparently endless corridor yawns like an exercise in perspective off to their left, and Fred points the way with his finger. They go through two big sets of double doors, past the corridor to Ward B, past two vast rooms lined with curtained cubicles, turn left again at the closed entrance to Gerontology, down a long, long hallway lined with bulletin boards, past the opening to Ward C, then take an abrupt right at the men’s and women’s bathrooms, pass Ambulatory Ophthalmology and Records Annex, and at last come to a corridor marked WARD D. As they proceed, the light seems progressively to darken, the walls to contract, the windows to shrink. Shadows lurk in the corridor to Ward D, and a small pool of water glimmers on the floor. â€Å"We’re in the oldest part of the building now,† Fred says. â€Å"You must want to get Judy out of here as soon as possible.† â€Å"Well, sure, soon as Pat Skarda thinks she’s ready. But you’ll be surprised; Judy kind of likes it in here. I think it’s helping. What she told me was, she feels completely safe, and the ones that can talk, some of them are extremely interesting. It’s like being on a cruise, she says.† Jack laughs in surprise and disbelief, and Fred Marshall touches his shoulder and says, â€Å"Does that mean she’s a lot better or a lot worse?† At the end of the corridor, they emerge directly into a good-sized room that seems to have been preserved unaltered for a hundred years. Dark brown wainscoting rises four feet from the dark brown wooden floor. Far up in the gray wall to their right, two tall, narrow windows framed like paintings admit filtered gray light. A man seated behind a polished wooden counter pushes a button that unlocks a double-sized metal door with a WARD D sign and a small window of reinforced glass. â€Å"You can go in, Mr. Marshall, but who is he?† â€Å"His name is Jack Sawyer. He’s here with me.† â€Å"Is he either a relative or a medical professional?† â€Å"No, but my wife wants to see him.† â€Å"Wait here a moment.† The attendant disappears through the metal door and locks it behind him with a prisonlike clang. A minute later, the attendant reappears with a nurse whose heavy, lined face, big arms and hands, and thick legs make her look like a man in drag. She introduces herself as Jane Bond, the head nurse of Ward D, a combination of words and circumstances that irresistibly suggest at least a couple of nicknames. The nurse subjects Fred and Jack, then only Jack, to a barrage of questions before she vanishes back behind the great door. â€Å"Ward Bond,† Jack says, unable not to. â€Å"We call her Warden Bond,† says the attendant. â€Å"She’s tough, but on the other hand, she’s unfair.† He coughs and stares up at the high windows. â€Å"We got this orderly, calls her Double-oh Zero.† A few minutes later, Head Nurse Warden Bond, Agent OO Zero, swings open the metal door and says, â€Å"You may enter now, but pay attention to what I say.† At first, the ward resembles a huge airport hangar divided into a section with a row of padded benches, a section with round tables and plastic chairs, and a third section where two long tables are stacked with drawing paper, boxes of crayons, and watercolor sets. In the vast space, these furnishings look like dollhouse furniture. Here and there on the cement floor, painted a smooth, anonymous shade of gray, lie padded rectangular mats; twenty feet above the floor, small, barred windows punctuate the far wall, of red brick long ago given a couple of coats of white paint. In a glass enclosure to the left of the door, a nurse behind a desk looks up from a book. Far down to the right, well past the tables with art supplies, three locked metal doors open into worlds of their own. The sense of being in a hangar gradually yields to a sense of a benign but inflexible imprisonment. A low hum of voices comes from the twenty to thirty men and women scattered throughout the enormous room. Only a very few of these men and women are talking to visible companions. They pace in circles, stand frozen in place, lie curled like infants on the mats; they count on their fingers and scribble in notebooks; they twitch, yawn, weep, stare into space and into themselves. Some of them wear green hospital robes, others civilian clothes of all kinds: T-shirts and shorts, sweat suits, running outfits, ordinary shirts and slacks, jerseys and pants. No one wears a belt, and none of the shoes have laces. Two muscular men with close-cropped hair and in brilliant white T-shirts sit at one of the round tables with the air of patient watchdogs. Jack tries to locate Judy Marshall, but he cannot pick her out. â€Å"I asked for your attention, Mr. Sawyer.† â€Å"Sorry,† Jack says. â€Å"I wasn’t expecting it to be so big.† â€Å"We’d better be big, Mr. Sawyer. We serve an expanding population.† She waits for an acknowledgment of her significance, and Jack nods. â€Å"Very well. I’m going to give you some basic ground rules. If you listen to what I say, your visit here will be as pleasant as possible for all of us. Don’t stare at the patients, and don’t be alarmed by what they say. Don’t act as though you find anything they do or say unusual or distressing. Just be polite, and eventually they will leave you alone. If they ask you for things, do as you choose, within reason. But please refrain from giving them money, any sharp objects, or edibles not previously cleared by one of the physicians some medications interact adversely with certain kinds of food. At some point, an elderly woman named Es-telle Packard will probably come up to you and ask if you are her father. Answer however you like, but if you say no, she will go away disappointed, and if you say yes , you’ll make her day. Do you have any questions, Mr. Sawyer?† â€Å"Where is Judy Marshall?† â€Å"She’s on this side, with her back to us on the farthest bench. Can you see her, Mr. Marshall?† â€Å"I saw her right away,† Fred says. â€Å"Have there been any changes since this morning?† â€Å"Not as far as I know. Her admitting physician, Dr. Spiegleman, will be here in about half an hour, and he might have more information for you. Would you like me to take you and Mr. Sawyer to your wife, or would you prefer going by yourself ?† â€Å"We’ll be fine,† Fred Marshall says. â€Å"How long can we stay?† â€Å"I’m giving you fifteen minutes, twenty max. Judy is still in the eval stage, and I want to keep her stress level at a minimum. She looks pretty peaceful now, but she’s also deeply disconnected and, quite frankly, delusional. I wouldn’t be surprised by another hysterical episode, and we don’t want to prolong her evaluation period by introducing new medication at this point, do we? So please, Mr. Marshall, keep the conversation stress-free, light, and positive.† â€Å"You think she’s delusional?† Nurse Bond smiles pityingly. â€Å"In all likelihood, Mr. Marshall, your wife has been delusional for years. Oh, she’s managed to keep it hidden, but ideations like hers don’t spring up overnight, no no. These things take years to construct, and all the time the person can appear to be a normally functioning human being. Then something triggers the psychosis into full-blown expression. In this case, of course, it was your son’s disappearance. By the way, I want to extend my sympathies to you at this time. What a terrible thing to have happened.† â€Å"Yes, it was,† says Fred Marshall. â€Å"But Judy started acting strange even before . . .† â€Å"Same thing, I’m afraid. She needed to be comforted, and her delusions her delusional world came into plain view, because that world provided exactly the comfort she needed. You must have heard some of it this morning, Mr. Marshall. Did your wife mention anything about going to other worlds?† â€Å"Going to other worlds?† Jack asks, startled. â€Å"A fairly typical schizophrenic ideation,† Nurse Bond says. â€Å"More than half the people on this ward have similar fantasies.† â€Å"You think my wife is schizophrenic?† Nurse Bond looks past Fred to take a comprehensive inventory of the patients in her domain. â€Å"I’m not a psychiatrist, Mr. Marshall, but I have had twenty long years of experience in dealing with the mentally ill. On the basis of that experience, I have to tell you, in my opinion your wife manifests the classic symptoms of paranoid schizophrenia. I wish I had better news for you.† She glances back at Fred Marshall. â€Å"Of course, Dr. Spiegleman will make the final diagnosis, and he will be able to answer all your questions, explain your treatment options, and so forth.† The smile she gives Jack seems to congeal the moment it appears. â€Å"I always tell my new visitors it’s tougher on the family than it is on the patient. Some of these people, they don’t have a care in the world. Really, you almost have to envy them.† â€Å"Sure,† Jack says. â€Å"Who wouldn’t?† â€Å"Go on, then,† she says, with a trace of peevishness. â€Å"Enjoy your visit.† A number of heads turn as they walk slowly across the dusty wooden floor to the nearest row of benches; many pairs of eyes track their progress. Curiosity, indifference, confusion, suspicion, pleasure, and an impersonal anger show in the pallid faces. To Jack, it seems as though every patient on the ward is inching toward them. A flabby middle-aged man in a bathrobe has begun to cut through the tables, looking as though he fears missing his bus to work. At the end of the nearest bench, a thin old woman with streaming white hair stands up and beseeches Jack with her eyes. Her clasped, upraised hands tremble violently. Jack forces himself not to meet her eyes. When he passes her, she half-croons, half-whispers, â€Å"My ducky-wucky was behind the door, but I didn’t know it, and there he was, in all that water.† â€Å"Um,† Fred says. â€Å"Judy told me her baby son drowned in the bath.† Through the side of his eye, Jack has been watching the fuzzy-haired man in the bathrobe rush toward them, openmouthed. When he and Fred reach the back of Judy Marshall’s bench, the man raises one finger, as if signaling the bus to wait for him, and trots forward. Jack watches him approach; nuts to Warden Bond’s advice. He’s not going to let this lunatic climb all over him, no way. The upraised finger comes to within a foot of Jack’s nose, and the man’s murky eyes search his face. The eyes retreat; the mouth snaps shut. Instantly, the man whirls around and darts off, his robe flying, his finger still searching out its target. What was that, Jack wonders. Wrong bus? Judy Marshall has not moved. She must have heard the man rushing past her, his rapid breath when he stopped, then his flapping departure, but her back is still straight in the loose green robe, her head still faces forward at the same upright angle. She seems detached from everything around her. If her hair were washed, brushed, and combed, if she were conventionally dressed and had a suitcase beside her, she would look exactly like a woman on a bench at the train station, waiting for the hour of departure. So even before Jack sees Judy Marshall’s face, before she speaks a single word, there is about her this sense of leave-taking, of journeys begun and begun again this suggestion of travel, this hint of a possible elsewhere. â€Å"I’ll tell her we’re here,† Fred whispers, and ducks around the end of the bench to kneel in front of his wife. The back of her head tilts forward over the erect spine as if to answer the tangled combination of heartbreak, love, and anxiety burning in her husband’s handsome face. Dark blond hair mingled with gold lies flat against the girlish curve of Judy Marshall’s skull. Behind her ear, dozens of varicolored strands clump together in a cobwebby knot. â€Å"How you feeling, sweetie?† Fred softly asks his wife. â€Å"I’m managing to enjoy myself,† she says. â€Å"You know, honey, I should stay here for at least a little while. The head nurse is positive I’m absolutely crazy. Isn’t that convenient?† â€Å"Jack Sawyer’s here. Would you like to see him?† Judy reaches out and pats his upraised knee. â€Å"Tell Mr. Sawyer to come around in front, and you sit right here beside me, Fred.† Jack is already coming forward, his eyes on Judy Marshall’s once again upright head, which does not turn. Kneeling, Fred has taken her extended hand in both of his, as if he intends to kiss it. He looks like a lovelorn knight before a queen. When he presses her hand to his cheek, Jack sees the white gauze wrapped around the tips of her fingers. Judy’s cheekbone comes into view, then the side of her gravely unsmiling mouth; then her entire profile is visible, as sharp as the crack of ice on the first day of spring. It is the regal, idealized profile on a cameo, or on a coin: the slight upward curve of the lips, the crisp, chiseled downstroke of the nose, the sweep of the jawline, every angle in perfect, tender, oddly familiar alignment with the whole. It staggers him, this unexpected beauty; for a fraction of a second it slows him with the deep, grainy nostalgia of its fragmentary, not-quite evocation of another’s face. Grace Kelly? Catherine Deneuve? No, neither of these; it comes to him that Judy’s profile reminds him of someone he has still to meet. Then the odd second passes: Fred Marshall gets to his feet, Judy’s face in three-quarter profile loses its regal quality as she watches her husband sit beside her on the bench, and Jack rejects what has just occurred to him as an absurdity. She does not raise her eyes until he stands before her. Her hair is dull and messy; beneath the hospital gown she is wearing an old blue lace-trimmed nightdress that looked dowdy when it was new. Despite these disadvantages, Judy Marshall claims him for her own at the moment her eyes meet his. An electrical current beginning at his optic nerves seems to pulse downward through his body, and he helplessly concludes that she has to be the most stunningly beautiful woman he has ever seen. He fears that the force of his reaction to her will knock him off his feet, then even worse! that she will see what is going on and think him a fool. He desperately does not want to come off as a fool in her eyes. Brooke Greer, Claire Evinrude, Iliana Tedesco, gorgeous as each of them was in her own way, look like little girls in Halloween costumes next to her. Judy Marshall puts his former beloveds on the shelf; she exposes them as whims and fancies, riddled with false ego and a hundred crippling insecurities. Judy’s beauty is not put on in front of a mirror but grows, with breathtaking simplicity, straight from her innermost being: what you see is only the small, visible portion of a far greater, more comprehensive, radiant, and formal quality within. Jack can scarcely believe that agreeable, good-hearted Fred Marshall actually had the fantastic luck to marry this woman. Does he know how great, how literally marvelous, she is? Jack would marry her in an instant, if she were single. It seems to him that he fell in love with her as soon as he saw the back of her head. But he cannot be in love with her. She is Fred Marshall’s wife and the mother of their son, and he will simply have to live without her. She utters a short sentence that passes through him in a vibrating wave of sound. Jack bends forward muttering an apology, and Judy smilingly offers him a sweep of her hand that invites him to sit before her. He folds to the floor and crosses his ankles in front of him, still reverberating from the shock of having first seen her. Her face fills beautifully with feeling. She has seen exactly what just happened to him, and it is all right. She does not think less of him for it. Jack opens his mouth to ask a question. Although he does not know what the question is to be, he must ask it. The nature of the question is unimportant. The most idiotic query will serve; he cannot sit here staring at that wondrous face. Before he speaks, one version of reality snaps soundlessly into another, and without transition Judy Marshall becomes a tired-looking woman in her mid-thirties with tangled hair and smudges under her eyes who regards him steadily from a bench in a locked mental ward. It should seem like a restoration of his sanity, but it feels instead like a kind of trick, as though Judy Marshall has done this herself, to make their encounter easier on him. The words that escape him are as banal as he feared they might be. Jack listens to himself say that it is nice to meet her. â€Å"It’s nice to meet you, too, Mr. Sawyer. I’ve heard so many wonderful things about you.† He looks for a sign that she acknowledges the enormity of the moment that has just passed, but he sees only her smiling warmth. Under the circumstances, that seems like acknowledgment enough. â€Å"How are you getting on in here?† he asks, and the balance shifts even more in his direction. â€Å"The company takes some getting used to, but the people here got lost and couldn’t find their way back, that’s all. Some of them are very intelligent. I’ve had conversations in here that were a lot more interesting than the ones in my church group or the PTA. Maybe I should have come to Ward D sooner! Being here has helped me learn some things.† â€Å"Like what?† â€Å"Like there are many different ways to get lost, for one, and getting lost is easier to do than anyone ever admits. The people in here can’t hide how they feel, and most of them never found out how to deal with their fear.† â€Å"How are you supposed to deal with that?† â€Å"Why, you deal with it by taking it on, that’s how! You don’t just say, I’m lost and I don’t know how to get back you keep on going in the same direction. You put one foot in front of the other until you get more lost. Everybody should know that. Especially you, Jack Sawyer.† â€Å"Especial † Before he can finish the question, an elderly woman with a lined, sweet face appears beside him and touches his shoulder. â€Å"Excuse me.† She tucks her chin toward her throat with the shyness of a child. â€Å"I want to ask you a question. Are you my father?† Jack smiles at her. â€Å"Let me ask you a question first. Is your name Estelle Packard?† Eyes shining, the old woman nods. â€Å"Then yes, I am your father.† Estelle Packard clasps her hands in front of her mouth, dips her head in a bow, and shuffles backward, glowing with pleasure. When she is nine or ten feet away, she gives Jack a little bye-bye wave of one hand and twirls away. When Jack looks again at Judy Marshall, it is as if she has parted her veil of ordinariness just wide enough to reveal a small portion of her enormous soul. â€Å"You’re a very nice man, aren’t you, Jack Sawyer? I wouldn’t have known that right away. You’re a good man, too. Of course, you’re also charming, but charm and decency don’t always go together. Should I tell you a few other things about yourself ?† Jack looks up at Fred, who is holding his wife’s hand and beaming. â€Å"I want you to say whatever you feel like saying.† â€Å"There are things I can’t say, no matter how I feel, but you might hear them anyhow. I can say this, however: your good looks haven’t made you vain. You’re not shallow, and that might have something to do with it. Mainly, though, you had the gift of a good upbringing. I’d say you had a wonderful mother. I’m right, aren’t I?† Jack laughs, touched by this unexpected insight. â€Å"I didn’t know it showed.† â€Å"You know one way it shows? In the way you treat other people. I’m pretty sure you come from a background people around here only know from the movies, but it hasn’t gone to your head. You see us as people, not hicks, and that’s why I know I can trust you. It’s obvious that your mother did a great job. I was a good mother, too, or at least I tried to be, and I know what I’m talking about. I can see.† â€Å"You say you were a good mother? Why use â€Å" â€Å"The past tense? Because I was talking about before.† Fred’s smile fades into an expression of ill-concealed concern. â€Å"What do you mean, ‘before’?† â€Å"Mr. Sawyer might know,† she says, giving Jack what he thinks is a look of encouragement. â€Å"Sorry, I don’t think I do,† he says. â€Å"I mean, before I wound up here and finally started to think a little bit. Before the things that were happening to me stopped scaring me out of my mind before I realized I could look inside myself and examine these feelings I’ve had over and over all my life. Before I had time to travel. I think I’m still a good mother, but I’m not exactly the same mother.† â€Å"Honey, please,† says Fred. â€Å"You are the same, you just had a kind of breakdown. We ought to talk about Tyler.† â€Å"We are talking about Tyler. Mr. Sawyer, do you know that lookout point on Highway 93, right where it reaches the top of the big hill about a mile south of Arden?† â€Å"I saw it today,† Jack says. â€Å"Fred showed it to me.† â€Å"You saw all those farms that keep going and going? And the hills off in the distance?† â€Å"Yes. Fred told me you loved the view from up there.† â€Å"I always want to stop and get out of the car. I love everything about that view. You can see for miles and miles, and then whoops! it stops, and you can’t see any farther. But the sky keeps going, doesn’t it? The sky proves that there’s a world on the other side of those hills. If you travel, you can get there.† â€Å"Yes, you can.† Suddenly, there are goose bumps on Jack’s forearms, and the back of his neck is tingling. â€Å"Me? I can only travel in my mind, Mr. Sawyer, and I only remembered how to do that because I landed in the loony bin. But it came to me that you can get there to the other side of the hills.† His mouth is dry. He registers Fred Marshall’s growing distress without being able to reduce it. Wanting to ask her a thousand questions, he begins with the simplest one: â€Å"How did it come to you? What do you mean by that?† Judy Marshall takes her hand from her husband and holds it out to Jack, and he holds it in both of his. If she ever looked like an ordinary woman, now is not the time. She is blazing away like a lighthouse, like a bonfire on a distant cliff. â€Å"Let’s say . . . late at night, or if I was alone for a long time, someone used to whisper to me. It wasn’t that concrete, but let’s say it was as if a person were whispering on the other side of a thick wall. A girl like me, a girl my age. And if I fell asleep then, I would almost always dream about the place where that girl lived. I called it Faraway, and it was like this world, the Coulee Country, only brighter and cleaner and more magical. In Faraway, people rode in carriages and lived in great white tents. In Faraway, there were men who could fly.† â€Å"You’re right,† he says. Fred looks from his wife to Jack in painful uncertainty, and Jack says, â€Å"It sounds crazy, but she’s right.† â€Å"By the time these bad things started to happen in French Landing, I had pretty much forgotten about Faraway. I hadn’t thought about it since I was about twelve or thirteen. But the closer the bad things came, to Fred and Ty and me, I mean, the worse my dreams got, and the less and less real my life seemed to be. I wrote words without knowing I was doing it, I said crazy things, I was falling apart. I didn’t understand that Faraway was trying to tell me something. The girl was whispering to me from the other side of the wall again, only now she was grown up and scared half to death.† â€Å"What made you think I could help?† â€Å"It was just a feeling I had, back when you arrested that Kinderling man and your picture was in the paper. The first thing I thought when I looked at your picture was, He knows about Faraway. I didn’t wonder how, or how I could tell from looking at a picture; I simply understood that you knew. And then, when Ty disappeared and I lost my mind and woke up in this place, I thought if you could see into some of these people’s heads, Ward D wouldn’t be all that different from Faraway, and I remembered seeing your picture. And that’s when I started to understand about traveling. All this morning, I have been walking through Faraway in my head. Seeing it, touching it. Smelling that unbelievable air. Did you know, Mr. Sawyer, that over there they have jackrabbits the size of kangaroos? It makes you laugh just to look at them.† Jack breaks into a wide grin, and he bends to kiss her hand, in a gesture much like her husband’s. Gently, she takes her hand from his grasp. â€Å"When Fred told me he had met you, and that you were helping the police, I knew that you were here for a reason.† What this woman has done astonishes Jack. At the worst moment of her life, with her son lost and her sanity crumbling, she used a monumental feat of memory to summon all of her strength and, in effect, accomplish a miracle. She found within herself the capacity to travel. From a locked ward, she moved halfway out of this world and into another known only from childhood dreams. Nothing but the immense courage her husband had described could have enabled her to have taken this mysterious step. â€Å"You did something once, didn’t you?† Judy asks him. â€Å"You were there, in Faraway, and you did something something tremendous. You don’t have to say yes, because I can see it in you; it’s as plain as day. But you have to say yes, so I can hear it, so say it, say yes.† â€Å"Yes.† â€Å"Did what?† Fred asks. â€Å"In this dream country? How can you say yes?† â€Å"Wait,† Jack tells him, â€Å"I have something to show you later,† and returns to the extraordinary woman seated before him. Judy Marshall is aflame with insight, courage, and faith and, although she is forbidden to him, now seems to be the only woman in this world or any other whom he could love for the rest of his life. â€Å"You were like me,† she says. â€Å"You forgot all about that world. And you went out and became a policeman, a detective. In fact, you became one of the best detectives that ever lived. Do you know why you did that?† â€Å"I guess the work appealed to me.† â€Å"What about it appealed to you in particular?† â€Å"Helping the community. Protecting innocent people. Putting away the bad guys. It was interesting work.† â€Å"And you thought it would never stop being interesting. Because there would always be a new problem to solve, a new question in need of an answer.† She has struck a bull’s-eye that, until this moment, he did not know existed. â€Å"That’s right.† â€Å"You were a great detective because, even though you didn’t know it, there was something something vital you needed to detect.† I am a coppiceman, Jack remembers. His own little voice in the night, speaking to him from the other side of a thick, thick wall. â€Å"Something you had to find, for the sake of your own soul.† â€Å"Yes,† Jack says. Her words have penetrated straight into the center of his being, and tears spring to his eyes. â€Å"I always wanted to find what was missing. My whole life was about the search for a secret explanation.† In memory as vivid as a strip of film, he sees a great tented pavilion, a white room where a beautiful and wasted queen lay dying, and a little girl two or three years younger than his twelve-year-old self amid her attendants. â€Å"Did you call it Faraway?† Judy asks. â€Å"I called it the Territories.† Speaking the words aloud feels like the opening of a chest filled with a treasure he can share at last. â€Å"That’s a good name. Fred won’t understand this, but when I was on my long walk this morning, I felt that my son was somewhere in Faraway in your Territories. Somewhere out of sight, and hidden away. In grave danger, but still alive and unharmed. In a cell. Sleeping on the floor. But alive. Unharmed. Do you think that could be true, Mr. Sawyer?† â€Å"Wait a second,† Fred says. â€Å"I know you feel that way, and I want to believe it, too, but this is the real world we’re talking about here.† â€Å"I think there are lots of real worlds,† Jack says. â€Å"And yes, I believe Tyler is somewhere in Faraway.† â€Å"Can you rescue him, Mr. Sawyer? Can you bring him back?† â€Å"It’s like you said before, Mrs. Marshall,† Jack says. â€Å"I must be here for a reason.† â€Å"Sawyer, I hope whatever you’re going to show me makes more sense than the two of you do,† says Fred. â€Å"We’re through for now, anyhow. Here comes the warden.† Driving out of the hospital parking lot, Fred Marshall glances at the briefcase lying flat on Jack’s lap but says nothing. He holds his silence until he turns back onto 93, when he says, â€Å"I’m glad you came with me.† â€Å"Thank you,† Jack says. â€Å"I am, too.† â€Å"I feel sort of out of my depth here, you know, but I’d like to get your impressions of what went on in there. Do you think it went pretty well?† â€Å"I think it went better than that. Your wife is . . . I hardly know how to describe her. I don’t have the vocabulary to tell you how great I think she is.† Fred nods and sneaks a glance at Jack. â€Å"So you don’t think she’s out of her head, I guess.† â€Å"If that’s crazy, I’d like to be crazy right along with her.† The two-lane blacktop highway that stretches before them lifts up along the steep angle of the hillside and, at its top, seems to extend into the dimensionless blue of the enormous sky. Another wary glance from Fred. â€Å"And you say you’ve seen this, this place she calls Faraway.† â€Å"I have, yes. As hard as that is to believe.† â€Å"No crap. No b.s. On your mother’s grave.† â€Å"On my mother’s grave.† â€Å"You’ve been there. And not just in a dream, really been there.† â€Å"The summer I was twelve.† â€Å"Could I go there, too?† â€Å"Probably not,† Jack says. This is not the truth, since Fred could go to the Territories if Jack took him there, but Jack wants to shut this door as firmly as possible. He can imagine bringing Judy Marshall into that other world; Fred is another matter. Judy has more than earned a journey into the Territories, while Fred is still incapable of believing in its existence. Judy would feel at home over there, but her husband would be like an anchor Jack had to drag along with him, like Richard Sloat. â€Å"I didn’t think so,† says Fred. â€Å"If you don’t mind, I’d like to pull over again when we get to the top.† â€Å"I’d like that,† Jack says. Fred drives to the crest of the hill and crosses the narrow highway to park in the gravel turnout. Instead of getting out of the car, he points at the briefcase lying flat on Jack’s knees. â€Å"Is what you’re going to show me in there?† â€Å"Yes,† Jack says. â€Å"I was going to show it to you earlier, but after we stopped here the first time, I wanted to wait until I heard what Judy had to say. And I’m glad I did. It might make more sense to you, now that you’ve heard at least part of the explanation of how I found it.† Jack snaps open the briefcase, raises the top, and from its pale, leather-lined interior removes the Brewers cap he had found that morning. â€Å"Take a look,† he says, and hands over the cap. â€Å"Ohmygod,† Fred Marshall says in a startled rush of words. â€Å"Is this . . . is it . . . ?† He looks inside the cap and exhales hugely at the sight of his son’s name. His eyes leap to Jack’s. â€Å"It’s Tyler’s. Good Lord, it’s Tyler’s. Oh, Lordy.† He crushes the cap to his chest and takes two deep breaths, still holding Jack’s gaze. â€Å"Where did you find this? How long ago was it?† â€Å"I found it on the road this morning,† Jack says. â€Å"In the place your wife calls Faraway.† With a long moan, Fred Marshall opens his door and jumps out of the car. By the time Jack catches up with him, he is at the far edge of the lookout, holding the cap to his chest and staring at the blue-green hills beyond the long quilt of farmland. He whirls to stare at Jack. â€Å"Do you think he’s still alive?† â€Å"I think he’s alive,† Jack says. â€Å"In that world.† Fred points to the hills. Tears leap from his eyes, and his mouth softens. â€Å"The world that’s over there somewhere, Judy says.† â€Å"In that world.† â€Å"Then you go there and find him!† Fred shouts. His face shining with tears, he gestures wildly toward the horizon with the baseball cap. â€Å"Go there and bring him back, damn you! I can’t do it, so you have to.† He steps forward as if to throw a punch, then wraps his arms around Jack Sawyer and sobs. When Fred’s shoulders stop trembling and his breath comes in gasps, Jack says, â€Å"I’ll do everything I can.† â€Å"I know you will.† He steps away and wipes his face. â€Å"I’m sorry I yelled at you like that. I know you’re going to help us.† The two men turn around to walk back to the car. Far off to the west, a loose, woolly smudge of pale gray blankets the land beside the river. â€Å"What’s that?† Jack asks. â€Å"Rain?† â€Å"No, fog,† Fred says. â€Å"Coming in off the Mississippi.† How to cite Black House Chapter Fourteen, Essay examples